Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Thursday, 14 March 2013

Don't Mix Coffee with...


While I was sick, I learned that coffee and some medications do NOT mix.

I’m a serious coffee drinker. Not so much as some out there who might drink espresso like inhaling air, and I’m not the type who has coffee on and ready 24/7, but I do drink two to three pots a day. And, I might add, that’s with the hubby’s help and sometimes my mother or my oldest dau showing up from time to time who help drink it, too.

For most writers, coffee is a must-have as we work. I’m no different. However, there are two things that do not mix with a cup of java. A) Daily vitamins. If you don’t want to whitewash your walls and furniture, you must eat a decent-size meal when taking vitamins and drinking coffee. Trust me, I know from experience, lol (luckily I didn’t spew on anything).

And B) do not mix a cup of joe with super antibiotics--the kind of antibiotics that are the size of horse pills and you only need 5 of them to be healed.

Oh, the combination of the two “rejuvenated” me alright. The day I had coffee and one of those antibiotics I could’ve leaped into a faith healer’s tent, zapped everyone with energy from my jitters and screamed, “Hallelujah, you’re healed! Pray to the power of The Bean! Have another cup of coffee!”

I’m not sure why the java and the antibiotic affected me so intensely. Maybe it’s the premise foods/drinks/medications react differently with each person. Maybe it’s based on the fact my internal wiring is screwy, lol. Whatever the reason, I was a virtual rubber ball when I discovered coffee and strong antibiotics are a no-no.

I got up. I sat down. I paced the house. Then I was in the kitchen for a few minutes, followed by returning to the bedroom. Back to the kitchen again.

Jitters. Jitters. Jitters…

Got. To. Find. Some. Food. To. Stop. The. Jitters.

In the fridge, I found a cup of Greek yogurt, a piece of leftover steak, and a small container of leftover corn. As I warmed the steak and corn, I leaned against the counter and trembled from head to toe.

Courtesy of MorgueFile.com.
The house is shaking. No it’s me. No, wait... EARTHQUAKE!

I finally managed to eat and the shakes stopped, but afterwards I would carry my bottle of antibiotics with me until I knew I’d be able to eat a decent meal. That way I could drink my coffee without an 8.9 rattling and shifting throughout my entire body.

::snort:: I’m sitting here now with a cup of coffee next to me. Folgers Black Silk. Strong coffee. Good coffee. Aromatic and oh so wonderful as it warms the innards.

[reaches for mug and its black elixir of daily life]

Earthquake!!!
~*~*~*~*~

Also, I'm doing a giveaway over at Books, Books and More Books, so hurry over and check out the pretty rhinestone bracelet and Fire in Winter! LINK

Thursday, 17 January 2013

The Dreaded Blank Page (And Giveaway)


I’ve said it before and I’ll say it again: I seldom get writer’s block but when I do it’s frightening. However, I’ve finally realized the one thing that will make it worse and even keep my muse firmly blocked--staring at the blank page.

Don’t do this.

LOL! Well, don’t!

Seriously, though, that empty expanse of white tricks your brain into believing there are no ideas, that the muse is dead or passed out behind the couch with an empty fifth of whip-cream-flavored vodka [the lazy bitch!]. Don’t fall for the blank page. It’s a ruse of the Furies. It’s a weapon of the bad guy who sits on your shoulder. It’s the excuse we all use to do other things from laundry to sorting the sock drawer and more.

I find this happens to me the most after I’ve been working like mad on more than one manuscript. This occurred last fall when I wrote three holiday stories right after edits and promo for Fire in Winter, a short tale that’s part of The Edge series. I guess Naomi’s new, wintry-hot lover inspired me, lol. Take a bit of handsome, blue-eyed frost, some sex toys, being cooped up while it dumps snow outside…

Uh… What was a talking about?

Oh, yeah. The blank page.

Naomi even gets gifts of ice sculptures from her hunky winter representative, and although he turns down the heat in her house, he turns her thermostat up, up, up. And then he—

[Looks around at all the quirked eyebrows and stares]

I wandered off again, didn’t I?

Anyhoo, if you complete several manuscripts within a close time frame, always remember to give yourself at least a week off before you start pounding the keyboard again. I speak from experience. An exhausted brain will refuse to cooperate, and if you stare at a blank page, that only compounds matters. Walk away from the laptop or PC and let your mind wander. That’s when a blog topic or a new plot will pop into your head.

But Naomi’s new man can pop things into her that—dang it if this keeps up [no, not *that* up!], I’m gonna have to go find the hubby! I won’t even get started on the hunky vamps of The Holiday Series or talk about Richie and Albert. Too many dreamy guys! No, I’ll blame it on the climbing temperatures here in eastern Ohio. It was 2˚ the other morning and now, as I type this post, it’s 70˚ and I’m sweating. I’m blaming it on the weather. Yeah, that’s it. The Weather!

Maybe.


Giveaway:
I find myself with several guest appearances this month so my giveaway is going to be a little different. I’ll have a small giveaway at each appearance, but at my last one for January, there will be a grand finale prize. At each of my guest blogs, leave a meaningful comment and be entered to win an e-book from my Molly Diamond (retired pen name www.MollyDiamond.com) backlist. Comment at every stop and you’ll have more chances to win the grand prize on January 30th—a nice, big coffee mug with goodies stuffed inside it AND an ebook! 
January 11th - Paranormal Haven normalhaven.com/2013/01/guest-post-and-giveaway-from-author.htmlJanuary 15th - Literary Lagniappe literarylagniappe.com/2013/01/15/a-lil-controversy-fangs-and-a-holiday-series-by-fl-bicknell/
Today - Four Strong Women http://fourstrongwomen.blogspot.com/2013/01/the-dreaded-blank-page-and-giveaway.html
January 21st - Silken Sheets and Seduction http://silkensheetsandseduction.wordpress.com/blog/
January 30th - Trinity Blacio's website - http://www.trinityblacio.com/blog 

Follow me at Twitter www.Twitter.com/FLBicknell

Bio:
F.L. Bicknell's work has appeared in a wide range of genres and publications such as: Would That It Were, Touch, GC, and Ohio Writer Magazine as well as publications in Canada and Turkey. Under her now-retired pseudonym, Molly Diamond, she was a regular contributor to Gent and Ruthie's Club and has had fiction published in Hustler's Busty Beauties, Penthouse Variations, and Twenty 1 Lashes. Ms. Bicknell is the author of several e-book and print titles, also writing as Azura Ice, Amber Redd, Cutter Phoenix, and Kiyara Benoiti. She has served as co-editor and managing editor for three different publishing houses. She is represented by TriadaUS Literary Agency.

Tuesday, 30 October 2012

Hunting Shenanigans Part II


Uh-oh. Our regular guest author, Margie Church, is back. And her men are up to their hunting shenanigans again!---Faith

 I was here a few weeks ago to share a few tidbits about how the hunters in my family have turned into rednecks. And of course, that is precisely why I stay behind on these outings. If they took me along, I'm sure that my body would be found on some deserted gravel road. Buzzkill, killjoy – yeah, that would be me along with a huge ration of scaredy-cat. I've learned to cook what they bring home. I've also had to put up with conversations like these.

Me: "Hi, are you on your way home?"
DH: "Not quite."
Me: "Oh? Why not? It's a five-hour drive."
DH: "I had a little trouble with the DNR up here. Luckily they didn't take my truck or my grandpa's antique gun."
After that little conversation involving shooting from a gravel road and changes in road signage, DH became the President of what I called the "Offenders Club." I'm not sure anyone in the group has ever gotten a ticket as high as his.

 Then there was Christmas 2011. The bow hunters were at it again. "Come home by 5:00 for dinner," I tell them as they dash out the door. It's dark here by 4:00 and when the phone rang at 4:30, I had this feeling.
DH: "Send Zach out here, will you? I shot a deer and we can't find it."
Me: "Oh, no."  None of us likes the idea of a wounded animal left to die. "I'll send him."

And so I'm left alone on Christmas Eve with our dinner slowly drying out. Eventually, I caved in and ate alone, on a TV tray while watching the news. Around 8:00, the three of them came home without the deer. They were apologetic of course, but the evening was toast.
Me: "So what are you going to do now?"
DH gave me a sheepish look. "We'll go look for it tomorrow, okay?"
I checked the calendar. Tomorrow was Christmas day. And so, after mass and dinner, the three of them took off in search of the deer. The weather here last Christmas was unseasonably warm. Likely the deer meat was spoiled even if they found it. I watched a movie with my mom and took a nap while they continued the great search and came home empty handed. I have to say, DH felt bad about throwing a monkey wrench into the holiday, and even worse about wounding an animal.
He took another shot at a deer on New Year's Eve. You'd think I'd have learned my lesson and just said no hunting on holidays. But I didn't. And the deer went missing and so did they. Luckily they found the deer the next morning. Temperatures dropped enough not to worry about whether the meat was okay. They processed the deer in the garage and in the kitchen. I stayed out of sight until it was over.
This year, I have a different strategy. I cook dinner at the usual time. They can eat it or not before they leave. Come Christmas, I think I'll make soup and sandwiches. To go.

If you're a hunting widow or looking for a great story to heat up your chilly autumn night, check out Razor. This is the first book in a 3-book series that I'm writing with K.B. Cutter. This erotic romance has a fascinating twist and BDSM elements. It's not typical by any stretch of the imagination and it's scorching hot. Readers have raved about the story and we hope you'll love it too.

Blurb: Razor by Margie Church & K.B. Cutter
Amy and Bryce have a happy, strong marriage. So why would Amy suggest bringing her best friend, Raine, who also is a lifestyle Domme, into their relationship? To gain a little control in the bedroom.

Initially, Bryce thinks his wife's request is ridiculous, but he's committed to his marriage and wants her to be happy. His new relationship with Raine is exciting and confusing. He loves Amy deeply, and now feels an emotional connection to Raine, too. What has he gotten himself into?

As Bryce and Raine's relationship evolves, Amy discovers a new capacity to love and share in ways she never imagined. Raine brings out the kink in everyone. And more.

This groundbreaking, erotic trilogy continues in Razor: Love's Storm.

CONTEST:  What do you think of this story's premise? The most honest, interesting answer will win a copy of the eBook.

Can't wait?  Buy Razor now on Amazon, B&N, and Sony. 

Friday, 26 October 2012

From Military Memoir to Paranormal Romance

Welcome author Lisa Carlisle to Four Strong Women!

Hi, I’m Lisa Carlisle, author of the Underground Encounters series with Ellora’s Cave. For over ten years before I began writing this series, I focused on non-fiction. So I’m here today to compare just one of the many differences between writing these two types of books: memoirs of serving as petite female in the Marine Corps to erotic paranormal romances. Can you think of two more different worlds? So just imagine how different it is to write them. 

Memory versus Imagination

In my memoirs, I had to rely on memory. And if you’ve ever had an argument with someone, you know how people remember things differently! I reconstructed conversations the way I remembered them. To cover my ass, I included an author’s note reading this is the way I remember events and conversations. Luckily, I kept all my letters from that time so I had a number of reference materials to consult when trying to remember what and when something happened. Was it before or after another event? 

In fiction, no worries - I can make it all up! 

Okay, maybe it’s not so easy as that. When creating characters and new worlds, you have to remember the details about them. What do they look like? What’s their background? For instance, in my recent book, I had the heroine’s mom as single in the beginning of the book, but then had a scene at the end where she had remarried. Yikes! When working on a book for months at a time, it helps to keep a character sheet noting details like these. Maybe one day, I’ll use one myself. ;) Okay, I’ve started one. I’m now at the third book in my series so realizing that it’s becoming necessary, especially if characters are going to pop up again later in other books. 

And although you’re making things up in your paranormal world, are they believable? You don’t want something so out there that people will think it’s nonsense. 

Now I’ll tell you about my most recent release. For an erotic vampire novella just in time for Halloween, check out Smoldering Nights, the first in the Underground Encounters series. 

“If you are looking for a short story full of action and passion then pick up and get ready to be hooked on the series.” ~ Sizzling Hot Book Reviews.

Smoldering Nights
Nike loves visiting the goth club Vamps—she can exchange her firefighter uniform for a slinky fantasy outfit. There she runs into the man she’d been admiring from afar at a rock climbing gym. He’s been the star of all her sexual fantasies, so is it any wonder they end up in his private room upstairs? Just when things begin to heat up, Michel’s enemies appear.

Only Michel isn’t an ordinary mortal. And someone from his past is on the hunt for vengeance. Michel and Nike are forced on the run and hide out in a coastal cottage in Maine. They can’t resist their attraction and spend the nights exploring each others’ bodies while trying to sort out how they feel about each other. Can they overcome their differences to be together? And how will they evade the predators who are chasing them? 


About Lisa Carlisle
I’ve loved the vampire myth since I was in third grade and had a crush on Dracula (rivaled only by my eternal love for Darth Vader). Now I have a strange attraction to Severus Snape–apparently I have a thing for dark, brooding guys wearing capes. 
When I was younger, I served in the Marine Corps and backpacked around Europe on my own, which has provided me enough settings and characters for a lifetime of writing. Currently, I live in the Boston area with my fantastic, supportive husband and two kids. I’m very happy to be a multi-published, award-winning author writing in different genres.

Visit my Web site at www.lisacarlislebooks.com 
For more of my writing, check out my non-fiction Web site at www.lisacordeiro.com

Let's connect on 
Pinterest


Tuesday, 18 September 2012

Who's This Story For, Anyway?

It seems like every time I turn around, someone, somewhere, is asking something like...."But will readers buy that?" or "Will readers get pissed off if I...." (fill in the blank) "will readers hate my characters if they....." (again, pick a vice)

And I always just want to take those writers, shake them and ask them "what the hell is wrong with you?"

Because you know what? They aren't writers. Asking them to answer such questions is like a long shore fisherman asking a dairy farmer where the good fishing holes are. It doesn't make the farmer any less smart because he can't answer that question, but I have to seriously wonder about the fisherman.

Asking another writer is only slightly less impossible. Now the longshoreman is asking an Alaskan Crabber where the Atlantic cod are. He might have an answer, but it probably won't be relevant or accurate enough to matter.

The thing is, the answer to all those questions is at once yes, no and who the hell knows?!?!? Who cares? Watch me piss off all my readers, but...I don't write for them. I write for the story, end of.

Now I also probably pissed off all the writers who've ever asked if making their main character a 'cheater' or an addict who falls off the wagon, or if they can write a romance in which the two main character share less than half a novel's worth of page time. Some days, I'm not very diplomatic. Rest assured, my friends (if I can still call you that!) every one of those questions has flitted through my mind, and I have asked. And you know what my brilliant writer friends say?

Who the hell knows? Who cares? Is that what the character is doing? Then why are you still talking about? Why are you bugging me? Why aren't you just writing that shit down?

And they were right, and I did. In this book.

If there is a vice for Laurie to exploit, he does, and you know what? Not everyone is going to dig that. That's ok. I'm not writing for them. I'm writing for Laurie. His story has been told and his voice has been quieted. That's all that matters.

Blurb: The violent implosion of Lawrence McKenna’s last relationship left him floundering at the bottom of a bottle. Recently unemployed and struggling with his newly discovered submissive tendencies, Laurie needs his best friend, Jeff, more than ever. One sleepless night of detox and a desperate kiss convince him that the attraction they’ve battled all their lives has become too hard to ignore, but Jeff has other responsibilities that take him far away from Laurie and his self-destructive behavior.

When Jeff leaves, all Laurie wants is to be left alone to wallow. Instead, he finds himself riding herd on his friends who have quit their jobs to achieve their dream of starting their own manga publisher. Those same friends return the favor by riding him: about the booze, talking about what happened, seeing a doctor—and about Jeff, whose abandonment left Laurie bitter and resentful. Laurie knows they can’t have a relationship without forgiveness, but when Jeff returns, can he be what Laurie needs?

Friday, 3 August 2012

Slipping on My Promo Heels


I’ve blogged before about how much I detest promoting my work. Most of my online correspondence is via Facebook and Twitter. I have blogs on my websites, but it’s difficult to blog about something interesting on a regular basis, especially on three different sites; that’s why we do it here on Four Strong Women and leave links. It’s much simpler and less time-consuming.

I hate promotion, and when I post on loops and even take the time to comment on some threads, I still stumble across posts where authors grumble about their peers who they feel are promo whores. Well, the only time Author XYZ appears online is to promote h/her book!

I see their point, but publishing is a business. Sure, we make friends with editors, publishers, and fellow authors, but business is business and friendship is friendship. Over the 25+ years I've been in magazine, e-zine, and indie publishing, few people can truly mix friendship and business. In all that time, I've only been able to do this with two people.

I try to rub elbows with other authors. Yanno, the support-your-fellow-co-workers thing. However, most of my loop posting is on my publishers’ groups, and even then it’s a rare occurrence for me. I just don’t have time to constantly type something thoughtful so that I’m considered a regular poster. I reserve most of my “chatting” with readers (that’s not to say authors don’t read, because they do, but we’ll get to that in a moment). I must write to submit material. I must submit to score contracts. And then once the title is published, I must promote that work to put food on my table.
 An afternoon viewing an apartment
becomes more than Simon expected.
More info HERE
Every writer is forced to do this.

I enjoy talking with other authors, but they’re doing the same thing I am. Again, this is a business.

If you’re an author, have you ever stopped to consider how many writers are on the loops compared to dedicated readers? Sure writers read, yes, but they often have less time to read (which is a conundrum when one of the top tips for writers is read, read, read!). As a result, I feel like I'm mostly promoting my work to other authors if I hang on the loops and forums all the time.
And don’t even get me started about ads! How do you get your ad to stand out from the rest on the sites that are economically feasible? Every other author is looking for more bang for their buck, too, especially in our current economy.

The bigger sites are lovely, but who can afford the astronomical ad prices unless they’re a huge-success author, and those are few and far between, yanno?

Authors imagine, they write, they sell their work, and then they promote while they write the next story. Add a day job and managing a household and family into an author's life and any extra time is precious.

But let me return to the topic of blogging. What to blog about? When to blog? How often to blog? Will readers respond to this post better or that post better? Is my blog topic something that will urge the net surfer to click on it? And how often should I post the link to gain interest?

I blog here at Four Strong Women once a month. Each of us try to blog at least twice during our designated weeks, but I also blog at Decadent's Elatia blog on the first and third Mondays of each month. It's tough promoting a new blog so that readers *follow* it, and again, the touting a new blog is time-consuming, too.

So then I wonder...are readers even paying attention when I post my blog links?

ARGH!

But it all boils down to one ultimate question: does all of this make me a promo whore when I do appear on the loops? If it does, allow me a moment to slip on my bright red stilettos. Here’s a picture, lol. And yes, they really are mine.

Now let me get back to writing those damn promo posts! Bwahaha!

Tuesday, 31 July 2012

T-Storms, Sex, Rain, Sex, Snow Sex...


Here in SE Ohio, we’ve gone from absolutely no rain with brown, crispy lawns, and extreme temperatures with high humidity to t-storms from hell and deluges that would make Noah cuss.


After such a rain in the evening, fog rises from the hollows and everything is dripping or running with rivulets of water. This setting makes for a nice evening of writing, but by that time my mind and my body are tired.


Click cover for more info.
Ever notice how rain seems to inspire the desire to make love? Ever spend a long rainy spell doing the deed as you listen to the rain drum on the roof or fall across a tent?


Rain plays a big role in many romantic scenes, even full novels, but if you really consider the idea, rain does this in real life, too.


Click cover for more info
Rain is the theme in two of my latest short releases, MakingLove in the Rain and also Mother Nature’s Passion. I’ve realized I use weather themes a lot in my fiction. Everything from a tropical storm in Ruby, the White King and Marilyn Monroe to the novella Black Magic Margarita in the Masquerade Desires Anth (both my Ruby novel and the novella are set or partially set in Key West) to an unseasonably warm Indian Summer in my Crimson Bane Battles series, but autumn and cold, snowy weather has the survivors worried (Oh, btw, book 3, Absinthe Dawn, debuts today! Here are the links for books ONE, TWO, and THREE).
Click cover for info.


I’ve used snowstorms, heat waves, etc., but for some reason a thunderstorm with torrential rains is my favorite to create tension and mood. And it's been proven that bad weather for long periods of time causes a spike in the birth rate, lol. Matter of fact, my first child was conceived during a terrible thunderstorm. And often the wives of a settlers were usually four or five months pregnant by the time the spring thaw arrived. Heck, even war times caused a spike in the birth rate; whenever the men would return for a furlough or for good, you know what they were doing when the lights went out, lol (thankfully we now live in an age where there are plenty of birth control methods!).


Weather is a useful tool when writing fiction, and I guess battles, war, and skirmishes are, too, which I will be showing in my Absinthe books as well. Both bring people together, and soon there are babies crying in the house and toddlers bee-bopping around the lawn.


So what’s your favorite pastime when it rains—besides sex, that is, lol!


***Tomorrow's post: find out whose book has been reviewed!***

Tuesday, 26 June 2012

All you have to do...

...is make enough money for us to live on, and I'll do the rest, he says. I'm confused. I know I go on and on about what a sweet deal I have, but I was going over my schedule for today, and listen to this:

5:40 am Wake up, shower, make a lunch, eat breakfast and get ready for day job.
6:10 am: Leave the house to catch the bus.
6:22 am: Board bus, ride to work
Yeah Baby!!!! That's what I'm talking about!
6:34 am: Arrive to coffee shop, refrain from weeping all over poor lady who served me coffee FINALLY!!!!! because there was no coffee an no cream to make some before I left the house.
7:05 am: Make it to desk, only five minutes late, because everyone and their fr-enemy at work wanted to know where my new desk is and what workflow I'll be doing and how hard is it? (No idea, I'm only in my second day of training. Give a girl a break)
7:12 am: seek out new boss and tell her I know it's only my second day, and I'm still in training, but my son has a dentist appointment and I have to leave early. (She's a dear. She said yes)
7:37 am: wander with the rest of the newbies to the training room and promptly nod off.
8:17 am: clean drool of desk and try to find where in blazes on the system we are working....blah.
10:00 am: Finally break for more coffee. Thank GOD! Quickly dash off a few emails and check edits haven't arrived from publisher. No edits. Breathe deep. Either there's nothing much to do, and they're working on other stuff, or there's so much, it's taking them forever to figure out what the hell my story is about. DON'T PANIC. (wish I had a towel...)
11:32 am: realize it's another hour until lunch break and slip out of training room to find foods before I starve.
12:35: LUNCH at last. gulp down yummy food, think happy thoughts of hubby who made yummy food for me. Text him. Find out he forgot to tell me the appointment time changed, and I have to leave work an hour earlier than planned or talked about with new boss. Think less happy thoughts about forgetful hubby.
12:47 pm: locate new boss, explain problem, and realize as I'm doing so that an 'hour earlier than planned' is...NOW. (I like my new boss. She was very nice about the whole thing)
1:23 pm: catch buss towards home to pick up boy for dentist, frantically text hubby to bring laptop and sunglasses, and to find out where I'm supposed to meet them.
1:29 pm: realize I was suppose to meet them at the library stop. Two stops ago. Get off buss and walk in sweltering heat and sun with no sunglasses for four blocks, get to library, find they haven't even left the house yet.
1:43 pm: Meet family, exchange lunch bag and sweat for laptop, son, but no sunglasses. They have mysteriously disappeared.
2:02 pm: Board bus only to discover boy forgot his bus pass: scrounge for change. Forget to get him a transfer.
2:20 pm: beg next bus driver to have mercy and grant amnesty for forgotten transfer ticket. She relents. Nice bus driver.
3:00 pm: arrive at dentist, break out laptop, and work while waiting for appointment. All goes well. No cavities, too soon to talk about braces. The bank account is relatively safe for another year.
4:00 pm: arrive downtown, decide to stop for beer and coffee.
4:25 pm: realize we've missed last close bus by five minutes, and now have to walk three blocks to get home.
4:47 pm: text hubby to send reinforcements to carry groceries, and inform him we are starving.
5:01 pm: arrive home to find hubby lying down in cool bedroom waiting for us. No dinner. No cold beer. Think unhappy thoughts about rested hubby as I make my own dinner.
6:05 pm: Hubby asks to use laptop, and do I want him to save my files. Yes, of course, GOD yes, please do. Watch as he clicks "no" in answer to the questions "Do you want to save the file "Christmas story?" Dare not think any thoughts about Hubby at all right this moment lest they be murderous ones.
6:06 pm: warn hubby he'd best leave the house for a little while. No, REALLY. Go. take the laptop to the garage, just don't be in my line of sight right this minute.
6:07 pm: decide to watch Bunheads with the girl and eat chips and drink beer.
8:09 pm: make my way to computer to re-write all the words written at the dentist that got lost. Find hubby has taken my computer mouse.
8:11 pm: retrieve Mouse. 'nuff said.
11:52 pm: sigh a breath of relief. 1487 words written, better than the first time, and I. Am. Done.
11:54 pm: realize I can't go to bed yet. Still have to write a blog post. Fuck.
12:17: finish blog post.
12:30  crawl into bed, realize it's too late to do anything but sleep.

Tomorrow? Once more, from the top.

(Someone told me today to "[write a blog post] about women who work at a dream (say, writing) when they have other responsibilities (say, family and an Evil Day Job) and do it with grace and humor. Cause, you know, that would be something you'd know about ;-) ")

If I do anything with either grace, or humour, it's because of friends like this, who make comments like that, even when I know they know I lose my cool, just like everybody else, and yet, they still see the good and chose to remind me I'm not a complete nut case. (or, they join me in the nuttiness, which also works) Love you to pieces, Amy.

So. what's everyone else up to tomorrow? Oh. Wait. Later today. Right.

Tuesday, 29 May 2012

The Desperate Writer

"Jof walked away, content to return to his Master as an idea began to form around the strange encounter. He might not understand it, but he was beginning to think he knew what to do about it."

That would be the last line that I wrote on my WIP this morning before I gave up in frustration and decided shopping with a twelve-yr-old girl would be less torturous.

And yes, in fact, that line is exactly what it appears to be: a desperate, last ditch hope that by telling the character, in writing, that he knew what to do next, even if I have no idea, when I come back, he will actually be able to tell me the answer. It is what you think: me practically begging the character to find the solution to my plot dilemma. I think it's only fair, though, if they are going to continue to do stuff I hadn't anticipated when I started out, they should also be prepared to fix the mess they made of my plot. I don't think I'm being unreasonable.

With this one, in fact, I sort of feel like I'm doing and endless rubik's cube.

(why yes, I am a child of the eighties, why do you ask?) or better yet, some cruel plot god has forced one of those knot puzzles into my hands and told me I have to solve it before I get the next piece of my story. You know the kind, where you have to untie the knot that will free the ring to uncross the sticks so you can lift the lid and release the marble to weight the strings so you can untie the knot.....

You see where I'm going with this?

Yeah. I was always complete crap at those. Who thinks plot god will smite me if I get out my scissors?

I am curious, though. Does anyone else do this sort of thing, where they totally ditch all reason and fully expect that the characters will find the answer when they're not looking? or is that just me?

Monday, 19 March 2012

Before her Kindle - Meet Heather Bennett, Co-Owner of Decadent Publishing

     A five year old walks into my room. Out of the corner of my eye, I see his head tilt, face wrinkled contemplatively.
     "Mommy, why is that man standing in a lake with a sword on his back and no shirt?"
     I look around and see a trade-sized romance book on my
bedside table. Ah, crap, I usually turn them over. Think fast. Think fast.
     "Ummm, well, the story is....eeerr.....about a knight and hheeeeee has to battle a sea monster."
     Five year old, a budding Lancelot at heart mixed with a large dash of padawan enthusiasm, nods. "Oh, okay, that makes sense."
     I smile. Phew, that was a good save, I thought, mentally patting my own back.
     "Mommy?"
     "Yes?"
     "Can you read me that story at bedtime? It sounds good."
     Ah, crap.
*****
That was a true story, one of the many reasons I am now ever so grateful for my ereader. I love the gorgeous e-covers, too, but personally I'm fine with them remaining out of sight. In the old days, BMK (Before My Kindle), I would typically turn the book cover over if it was a passionate clinch sort. While I enjoyed the man-candy, I wasn't terribly eager to re-visit conversations where I was forced to explain to a preschooler why the big dark-haired man was so mean he tore the fainting lady's shirt. Or why the lady was only wearing her bra and panties when there were three gentlemen standing around her in a barn. After all, my DD wasn't allowed to run around outside in only HER panties; it wasn't fair. A few of those and I either resorted to shoving it behind the bed between readings or flipping it good-side-down.

Now, however, I don't need to worry about a cover requiring me to come up with a 10 minute bedtime story about shirtless knights ("He lost it when the three headed monster LUNGED for him and tore it from his back as he struggled to get away through the murky water!"), leather pants ("Yes, he made them himself from the skins of the...uummm....man-eating wildebeest he slayed."), strategically placed gowns ("No, the shoulders of your Cinderella costume are not supposed to be around your elbows! I don't care how the lady on my book wore it!"), or why the people were naked in the shower together ("Uummm, I don't know. Hey! Do you want ice cream? Yay!") I don't think these explanations would fly anymore as both kids are tweeners and not as naive as I wish they were.
I love my ereader and miss nothing, really, about the BMK days of a paper book other than the sentimentality of it. I can read a burn-the-sheets
erotica novella and delete it off the device, if I wish, rather than figure out how to concealing it between sweater stacks from curiosity seeking 10 year olds until I want to read it again. I can read a Gabaldon-esque gigantabook without acquiring a case of carpel tunnel. I can take 500 books in my purse on a plane. I can hoard....errrr, I mean, COLLECT *cough*....books all I want without hiding my walls and aggravating my allergies.
Sure, I miss my flip back man-candy covers, but then they tend to get me leering or disdainful glances from neophytes anyway. This way, I can thoroughly enjoy my books, revel in the adventures and romance, delight in the escapist virtues of the genre while the rest of the world is blissful ignorant and thinks I'm modern and trendy.

AND I don't have to explain why Mommy's novel has two shirtless cowboys and one, apparently, feverish miss on the cover. ("They should give her Pedialyte, Mom. That's good for fevers.")
Oiy.

Heather Bennett was an avid reader of romance novels long before they were considered 'appropriate for her age'. She eventually transitioned her passion for reading into an affinity for editing where she met the wonderful author who became her business partner. They now co-own a quality fiction epublishing company, Decadent Publishing--which is known for their feverish, bare-chested man candy covers. Find them all at www.decadentpublishing.com


Thursday, 1 March 2012

Why Rewards Don't Work

At least, not for me. Not self-imposed rewards, anyway.

It all started with this picture....mmmm. Yep. Still yummy. The dynamic, the power exchange, the...mmm...surrender...*ahem* what was I on about?

My friend who brought this dish of yummines to my attention, she pointed me to the website where she found it, and said "yay! You can go visit the website after you write your allotted words for the day!"

Yeah, right. Like setting a bowl of candy and a bowl of apple sauce in front of a kid and saying "You can have the candy as soon as the apple sauce is all gone. Now I'm going out to the garden to rest, so you won't be supervised."

No matter how much that kid loves the tangy sweetness of apple sauce and the slurpy fun of eating it, dollars to doughnuts you know what happens next!

No one's watching. Who's to say in what order thing were consumed? Unless, of course, kid eats all the candy and has no room for the apple sauce.

Well, it's like that with me. I end up sated on pictures of men doing sweet, naughty things to each other and have no time or energy left to write about it.

Then there's FaceBook games. They work the same way. Like Lays. You can never stop at just one...

Or movies...
or reading...
or drawing...

It's hopeless. I think somewhere in here, there is a lesson about time management. Or, a cautionary tale about time management fail or something....I don't know. I was too busy being distract--SQUIRREL!!!!

Thursday, 8 December 2011

Dear Reader:

Stop telling me how to write my characters!

More specifically, how to describe them. Because I usually don't. In fact, in some stories, my characters don't even get names. This is not my fault. If they don't tell me what their names are, how can I tell you?

Sometimes, I have no real idea what they look like. Sometimes, I know perfectly what they look like, and I don't really want to know if my character is not what you envisioned when you read the story. (Well, a certain someone told me the main character in my latest WIP reminded her of Jude Law, until I finally got to his description, and then she was tossed out of the story on her ass, so, well, no. He's not Jude Law. Not even a little bit, and I will fix that my  friend, ASAP!)

But if you think my character has long flowing locks of curly black hair and I describe him as having a a shaved head, well, no, annoying person, I am not wrong about my character. A person, especially a guy, who grows hair to his waist is a fundamentally different person than one who shaves his head. Think about that. Long hair, for a guy, is a trophy, a rebellion, a statement that no one owns you or your choices to step out of that gender box. Shaved hair is a symbol of all things military, and conforming. Not really the same type of person, my friend. (Just for fun, think about that same dynamics in a girl, and what the hair to the waist and the shaved head mean, and maybe it will make more sense.)

Dear, dear reader, I am not an idiot. Neither are you, of course, but maybe, read the book again, and imagine what might have to change about a guy who shaves his head to get him to grow it out to his waist. There might even be a really good story in that change, but do think about it, okay?

Also, another reason I don't describe my characters is this:
 I watched this video, and OMG, I want to make a character that is this adorable, this sweet, and this happy. Well, until I break him , and then put him back together, that is, because, well, that's what I do. I mean, just watch the video. This kid just exudes joy all over the place. But if I commit to this particular configuration of physical characteristics in my head, what if I get it wrong in description? That's the time when I'll feel like I didn't succeed. (Like the Jude Law incident. Just...no. lol!)

So what do other writers do? I know some have very specific ideas of what their characters look like. Right down to having an actor/model/musician whatever representation to draw from in their descriptions. That just feels so...restricting to me. Are there any other writers like me out there who just, well, wing it? And what if, as a reader, that writer description isn't anything like what you imagine the characters to be? Do you just ignore the writer? (I do! lol!)

 Wow. I read this over and the use of the word 'well' is shameful. This, readers, is what editors do for me. But. I decided to leave them, and do a little contest. Spur of the moment. I'll give away a few copies of and old story, "Muses's Vacation" (because the sub in this story is one of my more adorable characters, I think) to three people who play editor and tell me how many times I over-used the word 'well' in this post :D


Blurb: Patrick is pretty new to the idea of having a Dom. When Leo gets trapped in that endless cycle of word-lock, and the inspiration just doesn't come for his writer Dom, Patrick decides discretion is better than taking his needs and frustration to Leo and asking for what he wants. Leo is not pleased to find his sub trying to satisfy his own desires, but even giving Pat what he needs doesn't break through the block, and Patrick knows drastic measures are in order. He has to drag Leo half way around the world before the writer realizes it's time to put his muse, and his sub, in their places.

Wednesday, 5 October 2011

Braving Breast Implants, or Things my Doctor Didn’t Tell Me

***Okay, put down the beverages before you read guest author Toni V. Sweeney's blog. You were warned, lol.***

I was one of those women who always envied anyone who had cleavage.) As a size 32AA, I had a right, I felt. When I was in college, there was a British Model named Twiggy, with the remarkable measurements of 21-21-21. Not to remarkable…so did I. Not that I was a famous model or was British or anything like that, but sharing Twiggy’s measurements was kind of a claim to fame. I was one of those poor, deprived girls whose dresses fit everywhere except at the top, whose lingerie drawer was filled with bras that didn’t fit unless they were filled with those abominably embarrassing foam rubber creations called falsies.

Even when I was a dancer, the falsie was a major part of my costume wardrobe. (jpg#1) Not the pasty, which was a teensy little nipple-covering, all sequined and glittered and hiding hardly anything, but a breast-shaped piece to fill the front of my costume and make my bottom and my top symmetrical. Sometimes, if I lost weight, I actually had to double-up and wear two—one inside the other—on each side! My mother, who was a stage mother par excellence and a Mommie Dearest in her own way, always made certain I wore a padded bra when I was measured for my costumes, bringing me up to a 34-A. Otherwise when they were completed and I went to try them on, they would be too large and loose at the top.

With the advent of Jane Russell, Marilyn Monroe, and Jayne Mansfield, all ladies whose acting talents generally were ignored in favor of their well-endowed upper stories, I felt even more slighted. But, I would sigh, what can I do? Big boobs just weren’t in my genetic material. In that day and time, in my neck of the woods, breast enhancement, which would’ve meant silicone injections, just wasn’t done by the ordinary woman in the street. And after the news story of one fatality occurring when the silicone was injected into a lung instead of a breast, I wasn’t certain I’d want to. (That may or may not have been an urban legend.)

Let’s fast-forward a couple of decades.

Now I’m sitting in a doctor’s office, wearing a paper gown and waiting for the awful news. I found a lump. Yup, it’s cancer. Do the biopsy. Have the radation therapy. Hug what’s left of that pitiful little knot and pretend everything’s A-OK. So I did that, but I was also thinking: Nowadays, people who have breast surgery can have breast reconstruction surgery also. Well, I’d had one…so why couldn’t I have the other?

Answer: I could. (Yay! Or not. Let’s proceed…)

So I began the reconstruction process and believe me, it was probably just as painful as the one the South went through right after the War Between the States!

The actual convalescence wasn’t so bad, other than the fact that I couldn’t use my right arm for a while and had to give up swimming. Giving up doing housework wasn’t so bad, however. Now I had the excuse, “I can’t sweep with one hand,” or “How can I wash dishes with just one hand?” or “I need someone to carry in the groceries for me.” Good way to get volunteers all around while I sat there looking helpless and invalid-ish.

It was what came after the convalescence, when the bandages were removed and the stitches came out, and I was dismissed from care. No one had prepared me for what going from 32AA to 38C was going to involve after I was once more pronounced able and fit. And that was the first thing I noticed.

Nothing fit any more.

All my clothes were suddenly too tight in the bosom. To be more precise, I couldn’t even get some of them on because I suddenly had so much up front. It was like trying to cram a Roman legionnary’s breastplate into a skin-tight leotard. Though the skirts of dresses fit, the tops didn’t, so I soon found myself buying new dresses and blouses. A whole new wardrobe. That wasn’t so bad. And bigger bras. But at least now, when I invested in something with a plunging neckline (and I suddenly find myself with a whole closetful of those), there was something there to see.

Then, another problem revealed itself.

No one had bothered to point out that when you have large breasts, they have a tendency to fall against each other when you roll over. I found that out the hard way. By doing it. And you know what? It hurt! There is nothing to describe the pain When Boobs Collide. I solved that problem with pillows. Now, there were three instead of two on the bed. One for me, two for the girls. It became a routine. If I went to turn over, no matter to left or right, I had to wake up, place one pillow under the outside of the breast to be laid on, tuck another between my boobies, then ve-e-r-r-y gentle…roll over. The pain gradually went away as I got accustomed to what I was carrying around up front but for a few months, I didn’t get much sleep.

The third problem also made itself known when I tried to sleep. I had trouble breathing. Whenever I lay flat on my back, I would soon start to do a Big Bad Wolf imitation, huffing and puffing and gasping the longer I lay that way. I tried to ignore it, convinced it would go away. When I went for a check-up, I asked surgeon about the weight of the implants. The average implant weighs 12 ounces, she said. Mine were probably closer to 16. So I had two extra pounds inside my chest wall, putting that much extra weight on my lungs.

Having now abandoned the pillows, I always sleep on my side nowadays.

Doing surgery on the breasts can also involve cutting nerves. At first I thought the numbness in my chest was simply from invasive shock. I soon found out it wasn’t. Even after six months, my entire chest had no feeling. I found this out in an embarrassing way…by wearing a tube top. With no sensation, I had no idea it had slid down around my waist until I passed by a mirror and happen to glance at it. My desensitized boobs were happily bouncing above what appeared to be a red elasticized cummerbund! Hasty grab. Pull it up. Swear from now on to never wear anything that doesn’t have straps.

At this date, ten years after surgery, I now have 50% sensation in my breasts. The day I had that surgery, I lost my second-best erogenous zone. Bummer!

The last problem is a more ridiculous one: Crumbs in the cleavage. I love potato chips, crackers, and all those crispy, crunchy things. BI (Before Implants), if I dropped a piece of chip or bit into a particularly crumbly cracker or cookie, or there was a slip betwixt the cup and the lip, I knew exactly where it was going to fall. Right into my lap. So I’d pick up the chip and finishing eating it, brush off the crumbs, or hope my napkin had caught the soup, coffee, sauce, whatever. AI (After Implants), where does everything fall? You guessed it. Right in the cleavage! I’ve fished out so many fragments of Pringles and Doritos (sometimes with salsa), peanuts, popcorn, pulled my blouse away from my body to shake out crumbs, and mopped up so much sphagetti sauce and other semi-liquids from between the Valley of the Dolls, I’m reminded of the famous “Hunt for the Dumpling” scene from Hello, Dolly! On occasion, if there’s no one else around, I actually tie a dish towel around my neck and let the food fall where it will!

Don’t get me wrong, I wouldn’t swap these babies for what I used to have, nor would I chose to go back to being a one-and-half boob wonder, nor do I wish to be 32AA again. I just wish someone had warned me about all this, so I could’ve been prepared. It would be nice to have a veteran of the Reconstruction Wars sit down with a would-be candidate and tell her what exactly is what.

I still have to go back for the final phase of reconstruction and I don’t even like the sound of it: nipple re-positioning.

I don’t even want to think what new and adventurous avenues that’s going to open up!


ABOUT THE AUTHOR:

Toni V. Sweeney was born in the South but has lived the past two-score years in the mid-West and the sunny state of California. She’s the author of 30 novels, written in various genres depending on her mood when she sits before the computer. Approximately one-third of those were written before her surgery and the other two-thirds afterward (not that this is an incentive for creativity). Her current offerings are Runaway Brother by her pseudonym Icy Snow Blackstone (Class Act Books, http://www.classactbooks.com/Runaway-Brother-by-Icy-Snow-Blackstone-Trade_p_308.html) and Bride of the Beast under her own name (Smashwords, http://www.smashwords.com/books/view/88085) All joking aside, Toni urges all women to do self breast exams to help detect breast cancer.

Sunday, 1 November 2009

Writing BDSM

As everyone knows, I write erotic romance and erotica. I write a little bondage and spanking, handcuffs here and there. Just wrote my first menage actually and it included male/male. So as a writer, I try to work it bayyybeeee! lol

So what am I getting at here? The way some writers can get into the heads of their characters. And for this discussion, characters in sexual situations involving the practice of BDSM. The fact is you don't always need to experience something to write it well. That's where the author's imagination and good research comes in. Well, we writers don't always tout the genius of others, although we can be quite complimentary and supportive, but I just had to say something about a new author.

Sarah Masters.

This author knows how to get into the head of her characters without a doubt. I'm published with Freya's Bower and I saw this new title on their home page. The cover pretty much drew me in. Very dark, sexy. The title of this story is Dominatrix.
At $1.25 it's a real bargain, so I made the purchase. To be honest, I'd never read an erotic romance or work of erotica that portrayed a female Dom. Everything I'd ever read had used the big alpha male. So this quickie of Ms. Master's really intrigued me.

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She gave the reader insight that I'd never seen portrayed before. The emotions of her leading lady as she went about her work rang so true. Imagine a woman wielding a whip to a man who has paid her to do so. Then imagine this same woman showing her vulnerability, just opening up her soul and spitting out everything she had to the reader. The entire story, while depicting her at work, focused on Mistress Shadow's internal conflict. The emotions her submissive brought out in her.

During a recent discussion among some writers about writing BDSM, Ms. Master's book was touted by several who had read it. One writer said it all quite succinctly when he expressed the only negative about this book. It was too short--he wanted more. And I so agree. As I understand it, there will be a series of ten from Sarah Masters and I encourage everyone to sample her incredibly well-written work.

To pick up a copy here's the link: http://www.freyasbower.com/index.php?main_page=product_info&cPath=5&products_id=165

Oh, and I just found out she has a new title available on January 13th entitled "Trussed". Don't forget to check her out.

On another note, my highly romantic erotic novella, His Sweet Obsession, will release on January 15th from Whiskey Creek Press Torrid. Stop by my website and read an excerpt. http://tessmackall.literalseduction.com/my-books and if you like it, stop by Whiskey Creek Press Torrid on January 15th and pick up a copy. http://www.whiskeycreekpress.com/torrid

Monday, 10 November 2008

Advice for a Writer

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Our blogging sisterhood posted on groups for letters from people with problems. We don’t really care what the problem is—we’re up for any type of discussion. Since everyone knows we’re involved in the publishing industry, I suppose it makes sense our very first letter would be about writing.

Dear Tess,

I saw the offer of writing this letter on a group. I would bring it up on the group, but my problem may offend someone on there and make me look bad. It involves beta reading and critiquing.

I can’t bring myself to tell the truth when critiquing because first I’m afraid of hurting the writer’s feelings, and second because it would make me sound bad. I wouldn’t want to upset the writers because they have become my friends, but at the same time I think the writers need to be told certain things.

I’m a writer also, and while I don’t know everything, I know enough to gain an acceptance, though I am learning a lot through professional edits. I’m able to give advice on grammar etc. and be comfortable in what I’ve said, knowing I haven’t given the wrong advice. My problem is that I’m seeing mistakes that I feel I can’t comment on because they involve more than just me mentioning the basics.

How do I tell someone who has worked hard on their book that it needs too much work for it to be submitted in its present form? I worry that they’d think I’d gone weird since getting professional edits. It’s not just the basics, but bad writing. I read some things that are so bad that I know the writer will be rejected, but how do I tell them that without sounding horrible or that I think I’m better than them? The problem is also that the writers are getting rejections, and then I feel bad because if I’d said something and they could fix their errors, maybe they would have gotten an acceptance. Is keeping my mouth shut causing more hurt than me opening it?

I would never be downright nasty, but have yet to figure a way of making my criticism sound constructive rather than spiteful. However I try and word it, it sounds just wrong to me, so I delete what I’ve written and concentrate on punctuation and small plot holes.

I also feel bad because some people in my critique group just shouldn’t be writing, period. I keep those opinions to myself, but as I’m growing in the craft, I’m getting tired of reading things that have so much wrong with them. I’m in the situation where if I say I don’t want to beta read them anymore, I’ll have no one to beta read me. Then I feel bad for thinking on selfish terms.

I’ve stopped going to my critique group as often because every time I read something I think it’s awful. Am I just being a big head? I feel bad because I don’t want to waste my time and effort trying to explain what’s wrong for me to be ignored anyway, plus me coming off as a know-it-all bitch. I don’t know it all, I don’t pretend to. Sometimes I want to scream at them to try another hobby, because clearly they aren’t taking writing seriously. Even that sounded mean.

Help!


Dear Help,

First of all, your problem is something a great many writers discuss. You’re not alone. We all feel that way sometimes. I agree you should not bring this up on group. I don’t suppose there is any perfect forum for this problem. However, it does deserve discussion and hopefully together we can find a solution or as close to one as possible. I’m sure the readers of this blog have many good ideas to help.

Personally, I think bringing it out in the open is a good way to start. You’ve expressed how you’d really like to help with constructive criticism. I applaud that. Where your critique group is concerned, it sounds as though you may have surpassed their level of expertise or understanding of the writing craft. It’s possible it’s time for you move on for the sake of your own career. It does no good by continuing with the group unless YOU get something from it. That may sound hard-nosed as hell, but it’s the truth.

The other thing you could do is to buy everyone in your critique group a wonderful Christmas gift. I highly recommend my bud, Faith Bicknell Brown’s series on How to Avoid Writer’s Hell. Yep, that’s a shameless promo for her, but!!! Big but here, lol, the books are worth it. They are written in such a way that no one will be bored and impart easy to understand lessons on writing—everything from grammar and punctuation to how to write a query. The publishing industry in general is discussed quite thoroughly. Your friends would definitely pick up some knowledge from reading these books. There are four of them available from Wild Child Publishing.
http://www.wildchildpublishing.com/index.php?main_page=index&cPath=97&zenid=bc28be1161c992fd998a5d4fdbb8c1b0
All at these books are very affordable at $3.25 each. Not too bad for the wealth of information Faith has shared. Now that is a practical solution. The books certainly won’t bestow talent on someone who doesn’t have it, but will indeed sharpen writing skills in general.

Another thing you could try is to speak privately with the writer/writers in question. Of course, you’d have to feel very comfortable with that person to do this and you are the only one who can judge that relationship. You seem to truly care about your critique group. I know for a fact that you can become quite close to your critique partners. I’m not sure I could do it, but it’s certainly worth consideration.

I’d also like to address this a bit further. First, are these authors published anywhere? I saw that you mentioned they kept getting rejections. If they are published, well, you have to remember something—not all publishing houses are equal. And I don’t mean that in a demeaning way. Whether you are working in the print world or the e pub world, edits are different. Some of that has to do with the editors themselves and just how savvy they are. A lot has to do with house style. Too often, I don’t think authors consider house style when submitting their work. It’s up to the writer to know the product each publisher sells. Some publishing houses have a more relaxed editing style than others. It’s a matter of determining where your work fits. Maybe your friends need to shop around and not target the same houses.

Second, and this may sound, again, hard-nosed as hell, but if your friends are getting nothing but rejections and are not published, sooner or later they will figure it out and dissolve into the scenery. Sad, but true.

You asked, “How do I tell someone who has worked hard on their book that it needs too much work for it to be submitted in its present form?” The answer to that question is quite simple. YOU DON’T. That is not your job. It’s the job of an acquisitions editor to do that. Your job as a critique partner/beta reader is to offer an overall opinion of the work. To help with minor grammar and punctuation. Maybe even point out a time line problem or a glaring plot hole, but not to decide if the work is worthy of publishing. When you do that, you step into the shoes of an editor.

I hope this discussion has helped put things into perspective for you. And I invite all the readers of this blog to please post your own concerns regarding this issue and any solutions you might have for it.

Keep the letters coming! We want to hear from everyone.

‘Til next time,
Tess


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